Imagination is common. Method is not.
Our ground-breaking AI film-making Platform empowers directors, storytellers, or simply people who have an idea, with frontier AI to create films, commercials, series and branded worlds with taste, control and intent.
We took a director’s working method and packaged it as an agent. How an idea becomes a script. How a script becomes a shot list. How a shot becomes a film. It is filmmaking, democratised: the process a working director already trusts, handed to the people who have the imagination and not the method.
Everyone is building a platform. This one was built by someone who has had to direct the thing.
Approve the film before a frame exists.
The script breaks down into scenes and shots. Each shot gets a reference frame. You approve, comment or reject, and only the approved ones go on to be shot.
A film that agrees with itself.
Characters, places and props are saved to the film. Bring one into a shot by name and it looks the way it did last time.
Lens, camera, stock and grade are chosen once and carried through every shot, so the frames belong to the same film.
Which model made which frame, at which settings, and who called for it. The film arrives with its own paperwork.
Talk about the characters, the wardrobe, the tone. It keeps up and brings references. Nothing is decided yet.
Give it the script. It comes back with a shot list you can tear up and rebuild, and it takes the notes.
For each shot it writes a first prompt and picks a model, using the film’s own words and references. You change it or let it run.
The look and the cast are the reference. When a frame wanders off, it tells you, and you decide whether it stays.
Paste the client’s notes. Each one is pinned to the shots it affects with a proposed fix, and nothing changes until you say so.
Questions
Anyone with the imagination and not the method. Filmmakers, agencies and in-house teams; commercials, shorts, features. Some shoot with a camera and finish here, some never pick one up. Either way it covers the whole job, first idea to delivery.
The current image and video models, side by side. It suggests one for each shot. You can ignore the suggestion.
No. You describe the shot the way you would to a crew. The room writes the prompt in the film’s own words, with the references attached. Edit it or leave it.
You do. Scripts, references, every take. We don’t train on any of it.
It is in alpha, tested on our own films. Access opens in waves. Leave your email below.